North Polar North Polar was created for the Lorne Sculpture Biennale, Lorne, Victoria.
Supermodel (the exhibition) Supermodel is a series of small assemblage sculptures constructed from found plastics, alongside abstract paintings, which are interpretations of these sculptures or 'supermodels'.
Ursa Major Ursa Major was specifically created for the Melbourne Prize for Urban Sculpture 2014, Federation Square, Melbourne.
2013
Emporium
Louise Paramor: Emporium - A survey exhibition 1990-2013 was held at The Glen Eira City Council Gallery from 27th September to the 3rd November.
Wild Cards The Wild Card series are a set of assemblages that, alongside industrial and domestic found plastics, incorporate ready-made fibreglass animals.
Noble Ape Noble Ape was specifically created for the exhibition Melbourne Now. The invitation to participate in the show provided an opportunity to produce a large scale Wild Card assemblage.
2012
Panorama Station Panorama Station is a permanent public sculpture commissioned by Southern Way for the Peninsula Link Freeway at the EastLink interchange, Melbourne in 2012.
2011
Six Perfections Created for the ‘Buddha Enlightened 2BE’ , international workshop organised by Delhi based artists Sanjeev Sinha and Dianne Hagen. ‘Buddha Enlightened 2BE’ took place in Bodhgaya, Bihar, India in January 2011.
Stupa City Stupa City is comprised of four sets of works. The starting point is a group of figurative paper collages assembled from the residue of an earlier work (Letters, Lies & Alibis, 2004). The forms of these characters have been increased in scale to form the second set of works, painted onto glass, creating a different sensibility again, where geometric abstraction meets cubist funk.
2010
Top Shelf Award winning piece, created specifically for the McClelland Sculpture
Survey and Award, Victoria.
2009
Heavy Metal Jam Session Six permanent public sculptures commissioned
for COSTCO Wholesale Australia, situated at the foot of the Southern Star
Observatory Wheel in Docklands, Melbourne
Mood Bomb Mood Bomb was an exhibition of abstract oil paintings on (the back of) glass. As the title indicates these works were conceived intuitively and the paintings themselves ultimately suggested their own titles. Nellie Castan Gallery, Melbourne.
2008
Tritonic Jam Session One of an ongoing series that utilises contemporary industrial plastic detritus to explore fundamental principles of modernism such as form, colour and spatiality. Melbourne Prize for Urban Sculpture 2008, Federation Square, Melbourne.
Studio Floor Studio Floor was created for thw group exhibition Flash, curated by Geoff Newton and Jan Duffy, at Linden – St Kilda Centre for Contemporary Arts, Melbourne.
Square Square was an exhibition of abstract canvases at Turner Galleries, Perth, Western Australia.
Monumental Jam Session Created specifically for the 2008 Helen Lempriere National Sculpture Prize Exhibition, Werribee Mansions, Victoria
2007
Show Court 3 Show Court 3 was a 3-day event which involved setting up 75 sculptures in a professional outdoor tennis court. Curated by Jane O’Neill, Rod Laver Arena Complex, Melbourne Olympic Parks
Industrial Jam Session Created specifically for the 2007 Helen Lempriere National Sculpture Prize Exhibition, Werribee Mansions,Victoria
2006
A Bunch of Flowers A Bunch of Flowers showcased three distinct groups of works: the first of many plastic assemblage Jam Session sculptures; three large bill-board scale Classic Shazzy car/girl collages and several large abstract collage works.
2005
Up She Goes Up She Goes is a 4-minute video loop where the hanging of a large collage work (in pieces) is reversed and sped up, with sound added. Linden – St Kilda Centre for Contemporary Arts, Melbourne
2004
Letters, Lies & Alibis Letters, Lies & Alibis was created for the exhibition Non-Stopp, a collaborative project by Cornelia Schmidt-Bleek and Louise Paramor at Project Space, RMIT University, Melbourne
2003
FOREVERYOURS FOREVERYOURS is a series of large collages meticulously assembled using pre-hand-painted gloss paper, which is cut into numerous shapes and then pasted to form images. This imagery comprises a variety of over-scaled interpretations of the Mills and Boon series’ covers.
Off-Cuts Off-cuts was an exhibition of the first in a series of abstract collages constructed from the refuse of the FOREVERYOURS series of collages. Künstlerhaus Bethanien, Berlin
2002
The Love Artist Articulated around the theme of eroticism, The Love Artist presents itself as an installation in three complementary parts. Breitengraser – room for contemporary sculpture, Berlin.
Outback
Heat (rug) Made specifically for the exhibition Elvis Has Just Left the Building, Perth Institute of Contemporary Art , Western Australia and Künstlerhaus Bethanien, Berlin, curated by Boris Kremer.
2001
Heart-On Heart-On was an exhibition of honey-comb
paper sculptures, found objects and borrowed text, and was created
during a 3-month residency at IASKA
A Very Public Affair Made specifically for the National Sculpture Prize Exhibition, National Gallery of Australia, Canberra.
2000
foam-born
Breitengraser – room for contemporary sculpture, Berlin
Lustgarten Lustgarten was a series of
large-scale ‘honey-comb’ paper sculptures, produced during a one-year Australia
Council Fellowship at the Künstlerhaus Bethanien, Berlin, Germany.
Breitengraser – room for
contemporary sculpture, Berlin
foam-born was an attempt to make a figurative sculpture from honey-comb
paper, the inspiration coming from a beach towel featuring an image of
a naked woman resembling Botticelli’s Venus.
The snake honey-comb paper
sculpture was drawn from a small clay sculpture purchased from and old
persons’ hospice. The original snake object itself was also in the exhibition,
and a black clay ‘stupa’ was created for it to perch on.
The small back gallery showcased a series of paintings entitled Gummi
Girls,
which were stylised silhouettes of found images of women painted onto a
dense foam material.
